User
Reference scorpius
**NOTE:
The scorpius synth was designed to be used with 2 Behringer BCR 2000
units. Therefore the layout may be a little strange,
and not all functions are clearly labeled. But after
some experimenting and checking this reference, everything should be clear.
For help or questions please contact me.
1 |
Wave osc 1 |
Waveform type osc 1 |
Sine, ramp, saw, tri, pulse, white and pink noise |
2 |
Wave osc 2 |
Waveform type osc 2 |
Sine, ramp, saw, tri, pulse, white and pink noise |
3 |
Ring mod Pitch |
Ring modulator pitch |
|
4 |
Ring mod Amount |
Amount of the ring modulator |
|
5 |
Pitch eg Depth |
Pitch Envelope Generator Depth |
|
6 |
Pitch eg Attack |
Attack time of the Pitch EG |
|
7 |
Velo Depth |
Velocity depth of
VCF 1 / 2 |
|
8 |
Mod Depth |
Modulation depth of VCF 1 / 2 |
Modulation wheel |
9 |
On |
Osc 1 on / off |
|
10 |
On |
Osc 2 on / off |
|
11 |
Dest 1 |
Ring modulator -> osc 1 |
|
12 |
Dest 2 |
Ring modulator -> osc 2 |
|
13 |
Dest 1 |
Pitch EG -> osc 1 |
|
14 |
Dest 2 |
Pitch EG -> osc 2 |
|
15 |
Dest 1 |
Velocity -> vcf 1 |
|
16 |
Dest 1 |
Modulation -> vcf 1 |
|
17 |
Mono |
Monophonic mode |
|
18 |
LFO 2 |
LFO 2 -> pitch osc 1 |
When not activated LFO 1 is send to pitch osc 1 |
19 |
Sync |
Osc 2 is synchronized to osc1 |
Phase synchronization |
20 |
LFO 2 |
LFO 2 -> pitch osc 2 |
When not activated LFO 1 is send to pitch osc 2 |
21 |
Inv |
Inverse pitch Envelope |
When activated pitch envelope is reversed |
22 |
HPF |
High pass filter for VCF 1 |
|
23 |
Dest 2 |
Velocity -> vcf 2 |
|
24 |
Dest 2 |
Modulation -> vcf 2 |
|
25 |
Pitch |
Pitch of vco 1 |
|
26 |
Fine |
Fine tuning of vco 1 |
|
27 |
Pitch |
Pitch of vco 2 |
|
28 |
Fine |
Fine tuning of vco 2 |
|
29 |
Freq |
Frequency of vcf 1 |
Osc 1 -> VCF 1 |
30 |
Reso |
Resonance of vcf 1 |
|
31 |
Freq |
Frequency of vcf 2 |
Osc 2 -> VCF 2 |
32 |
Reso |
Resonance of vcf 2 |
|
33 |
Width |
Pulse width osc 1 |
When pulse is selected |
34 |
LFO |
LFO depth osc 1 |
|
35 |
Width |
Pulse width osc 2 |
When pulse is selected |
36 |
LFO |
LFO depth osc 2 |
|
37 |
Type |
Filter type vcf 1 |
HP, LP, BP, B Reject |
38 |
LFO |
LFO depth vcf 1 |
|
39 |
Type |
Filter type vcf 2 |
HP, LP, BP, B Reject |
40 |
LFO |
LFO depth vcf 2 |
|
41 |
PWM |
Pulse width modulation osc 1 |
Modulation by LFO 1 or 2 (depending on switch 18) |
42 |
Mod |
Modulation depth osc 1 |
Modulation wheel |
43 |
PWM |
Pulse width modulation osc 2 |
Modulation by LFO 1 or 2 (depending on switch 20) |
44 |
Mod |
Modulation depth osc 2 |
Modulation wheel |
45 |
Attack |
Attack time for vcf 1 + 2 |
|
46 |
Decay |
Decay time for vcf 1 + 2 |
|
47 |
Sustain |
Sustain level for vcf 1+ 2 |
|
48 |
Release |
Release time for vcf 1+ 2 |
|
49 |
LFO 2 vcf 1 |
LFO 2 -> vcf 1 |
When not activated LFO 1 is send to vcf 1 |
50 |
LFO 2 vcf 2 |
LFO 2 -> vcf 2 |
When not activated LFO 1 is send to vcf 2 |
51 |
LFO 1 shape |
Shape of LFO 1 |
Sine, ramp, saw, tri, pulse |
52 |
LFO 1 Rate |
Speed of LFO 1 |
|
53 |
LFO 1 Delay |
Fade-in time of LFO 1 |
|
54 |
LFO 2 Shape |
Shape of LFO 2 |
|
55 |
LFO 2 rate |
Speed of LFO 2 |
|
56 |
Mod Rate |
Modulation Speed |
Modulation Wheel |
57 |
Porta |
Portamento time |
Legato only |
58 |
|
Pitch bend range |
0-12 semitones |
59 |
S/H |
Sample and Hold LFO 1 |
|
60 |
Host |
LFO 1 host sync on |
|
61 |
Beat |
LFO 1 host sync beat |
When not activated sync is set to Bar |
62 |
S/H |
Sample and hold LFO 2 |
|
63 |
Sync |
LFO 2 speed synchronised to LFO 1 |
NOT fase sync! Only rate |
64 |
Pulse |
Modulation shape is pulse |
When not activated shape is sine |
65 |
On |
Portamento on |
|
66 |
- |
- |
- |
67 |
Velo 1 |
Velocity vca 1 on |
|
68 |
Velo 2 |
Velocity vca 2 on |
|
69 |
LFO 2 – 1 |
LFO 2 -> vca 1 |
When not activated LFO 1 is send to vca 1 |
70 |
LFO 2 – 2 |
LFO 2 -> vca 2 |
When not activated LFO 1 is send to vca 2 |
71 |
Delay |
Delay effect on / off |
|
72 |
Mono |
Mono delay effect |
Left delay time is active |
73 |
LPF |
Low pass filter for delay effect |
|
74 |
Flanger |
Flanger effect on / off |
|
75 |
Level |
Level vca 1 |
|
76 |
ß
LFO |
LFO -> vca 1 level |
|
77 |
Pan |
Panorama vca 1 |
|
78 |
ß
LFO |
LFO -> pan vca 1 |
|
79 |
Level |
Delay send level |
|
80 |
Left |
Left delay time |
Or Left + Right delay time when mono |
81 |
Right |
Right delay time |
Not active when mono |
82 |
Feedback |
Feedback amount of delay |
|
83 |
Level |
Level vca 2 |
|
84 |
ß
LFO |
LFO -> vca 2 level |
|
85 |
Pan |
Panorama vca 2 |
|
86 |
ß
LFO |
LFO -> pan vca 2 |
|
87 |
Level |
Flanger level |
|
88 |
Rate |
Speed of the flanger effect |
|
89 |
Depth |
Depth of the flanger effect |
|
90 |
Feedback |
Feedback of the flanger effect |
|
91 |
Attack |
Attack time for vca 1+ 2 |
|
92 |
Decay |
Decay time for vca 1+ 2 |
|
93 |
Sustain |
Sustain level for vca 1+ 2 |
|
94 |
Release |
Release time for vca 1+ 2 |
|
95 |
Wave |
Waveform sub osc |
Sine, ramp, saw, tri, pulse |
96 |
Fine |
Fine tuning of sub osc |
Pitch of osc
1 is used to set the pitch of sub osc |
97 |
Level |
Level of sub osc |
Sub osc -> vcf 1 |
98 |
Master |
Master output level |
|
99 |
Transpose dwn** |
Transposes the pitch 1 octave down |
|
100 |
Transpose up** |
Transposes the pitch 1 octave up |
|
**NOTE: When up and down are both selected transpose =
0
When up and down are both NOT selected
transpose = 0
101 |
Sub osc -1** |
Transposes the pitch of sub osc 1 octave down |
|
102 |
Sub osc +1** |
Transposes the pitch of sub osc 1 octave up |
|
**NOTE: When -1 and +1 are both selected transpose = 0
When -1 and +1 are both NOT selected
transpose = 0